Thread Theory

Welcome to the new era of menswear sewing. Go ahead and create something exceptional!


Special Delivery!

What’s that, you want another sneaky Wednesday post from Matt full of hints of things to come?

You got it.

First up, an itty-bitty box full of brown paper!


That’s right, after being an incorporated business for 10 months and selling our product for 5 months (jeeeez, has it only been 5 months?!), we finally got around to ordering business cards! They were designed by the lovely and incredibly talented Sonia Bishop (who also designed our logo) and printed by ClubCard printing out of Vancouver, BC. They are a vertical design done in plain black and white ink on 24pt natural kraft paper. And we love them.

Next up are some significantly larger boxes. 6 of them, to be exact, weighing in at a total of 180 lbs.


That’s right, tissue patterns! Our first three patterns have arrived and they look GREAT! We knew it was going to be a pretty big load, but we had NO idea how much space 3,000 packets of tissue paper would take up. Turns out it’s a lot; Morgan is currently painting our closets so we can have everything looking pretty and organized for a later photoshoot. And they are HEAVY! Step 1 of going to print: Complete.

Now for some Goldstream Peacoat action: Morgan has finished the second prototype of the pattern, and it turned out beautifully!


There are still a couple tiny changes to be made before it is graded and prettied up, but we’re getting close! More details coming soon…

Last, but certainly not least, there is a super-secret project that Morgan and I are working on. I can’t say much more about it other than one of our previous posts contained a photo hint (remember a cardboard box?). It is involving quite a bit of planning and logistics, but we’re VERY excited to show you once it’s ready!

Thanks for stopping by, and remember to follow our blog for updates!




I finished Colette Pattern’s Negroni men’s button up shirt!  Here is my husband looking dashing in it:


And a view on the hanger before I added buttons:


Colette Pattern instructions were wonderful, leading me through each detail step-by-step complete with many more illustrations then you would expect from one of the big pattern companies.  Nifty finishing steps were included such as sturdy flat-felled seams and a tricky but well explained lined yoke.


The first few times my husband tried the shirt on in the early stages of the sewing process, we were both a little worried about how well the convertible collar would sit and how fitted the body of the shirt would be.  The facings added a lot more bulk than I was accustomed to along the centre front and caused the collar and neck area to ripple a little bit instead of sitting crisply.  I continued sewing along, trusting the quality of Colette instructions and was not at all dissapointed.  I added  topstitching at centre front just to make sure the facing wouldn’t peek out.  Once on, the shirt looks great, it is a fairly slim fit and the grosgrain, button holes and topstitching secure the facing completely in place.




In addition to the pattern’s features I added shoulder details, contrasting yoke and cuffs, a grosgrain ribbon underneath the buttons, and contrast thread when sewing the buttons on.  Below is a little photo tutorial for my shoulder and ribbon additions in case you are curious how I added these details!

Shoulder Detail:

To create the shoulder detail shape, create a tissue pattern piece to use when cutting out all other included pieces.

To do this, trace the front shirt piece (Piece A) on tissue paper.  Trace along the neckline, shoulder and arm hole and across from the arm hole to the shoulder to create a style line (account for 3/8 seam allowance on the style line where you will fold later to hide raw edges).  Cut out this pattern piece in either self or contrasting fabric to create a shoulder detail that fits perfectly on top of the existing Piece A as shown below:


Fold style line under and press:


Topstitch shoulder detail to shirt front, keeping within the seam allowances on shoulder, neck and arm edges.  Edgestitch along style line:

Negroni Tutorial 002

Sew up the rest of the shirt as directed resulting in a subtle shoulder detail like this!:


Grosgrain Ribbon:

For this detail, you will need a metre of 1/4″ wide grosgrain ribbon in the colour of your choice:


I added the ribbon just before hemming because I wasn’t sure, when completing the collar earlier on in the sewing process, if  I actually wanted to add a ribbon.  You could either add your ribbon before attaching the collar so that the top end of the ribbon is enclosed on the neck seam or you could add it before hemming as I did if you’d prefer to see how it would look on a more completed shirt.

Line up the grosgrain ribbon along the button placement markings on the right side of the shirt (the right side when you are wearing it, the left side when you have it face up on the table in front of you…this is always confusing!):


Fold under the top edge of the grosgrain ribbon and stitch around all edges of the ribbon through both the shirt front and the facing layers.  Make sure that the sides of the tucked in ribbon end are enclosed by your stitching.  At the hem, simply snip off any extra ribbon so the ribbon end is in line with the hem seam allowance:


Continue sewing as per the Colette instructions.  When you go to sew your buttons on, place them directly on top of the grosgrain ribbon.


And last but not least, now that my triumphs have been thoroughly documented, here’s a very sad “oops”…I snipped through the shirt front when trimming seam allowances!